New Voyage is about allowing life to carry us into unknown territory.

In the work, a figure travels on the back of an elephant, accompanied by a falcon and a magpie.

In my visual language, the elephant represents the subconscious: ancient, powerful and impersonal.

The falcon brings overview and distance — the ability to see the larger pattern.

The magpie brings courage, curiosity and our willingness to step into visibility.

New Voyage represents a quiet procession into a new chapter: not by forcing the future, but by trusting the current beneath it.

Elevation is about travelling through a world that is beginning to open.

A small traveller moves through a mist-covered city, guided by a soft light that seems to illuminate the path ahead. Around him, mythic forms rise from the walls, as if the world itself is quietly revealing another layer.

For me, the work carries the feeling of being led forward — out of density, out of the known, toward a higher field of perception.

This work is about stepping into your power as a communicator.

A small meerkat stands on the back of an elephant: alert, visible, ready to speak from a place much larger than itself.

In my visual language, the elephant carries the depth of the subconscious — ancient, grounded and vast — while the meerkat becomes the part of us that dares to rise, look out and take its place.

The work holds a simple truth: each of us carries something entrusted to us by life. A story, a gift. At some point, we are asked to stop hiding it and offer it to the world.

Poseidon was created with oil paint, mica stone and gold leaf, built up with palette knife and impasto texture so the surface feels almost excavated rather than painted.

For me, the work carries the feeling of entering a world beneath the visible one — a place where memory, myth and machinery have sunk into the same dream.

A city under water, ancient and futuristic at once, where the subconscious moves quietly through the ruins.

Exhibited at Museum de Fundatie, Zwolle, as part of the ReCharge / RESET exhibition, October 2024 – March 2025.

*Moon God* carries the feeling of a guiding presence moving through the unseen.

The figure of Thoth appears in a dreamlike landscape. In my visual language, he serves as a bridge between worlds: keeper of knowledge, language and hidden order — a presence that seems to translate something from the invisible realm into ours.

For me, the work holds the quiet comfort of being accompanied. The sense that even in mist, distance and uncertainty, something wise and benevolent is near, gently illuminating the path.